Tuesday, January 09, 2018
Monday, January 08, 2018
Wednesday, December 20, 2017
Wednesday, November 22, 2017
Tuesday, November 07, 2017
Thursday, October 26, 2017
The luxury of four painting sessions over an extended weekend allowed the Samuel Beckett photorealist ‘portrait’, after a print of Jane Bown‘s original photograph, to arrive at some form of resolution, presented here below upon the easel in a state of repose and in various details.
Although I’d previously spent a couple of years, individually, on drawing-from-photographic-source projects (please refer to the 2008 and 2014 (actually March ’14 – February ’15) archives of TOoT), developing technique between, I’d not worked in oil on canvas and on such a scale in such a manner (although the recentish series of ‘woodscapes’ referred to compositional photos in support of other empirical sources) – obviously there are many different stylistic precedents that one is aware of (even, to take such as Gerhard Richter or Chuck Close for example, within the work of a particular artist) and it became very much a matter of working towards interpreting the source image in a way that had integrity as ‘painterly material’ (and technique) for want of a better phrase, achieving that balance between painted mark as painted mark and a certain fidelity to the source as image, the former as ‘actively contemplated’ response to the latter, of course.
‘Samuel Beckett After Jane Bown Photograph’
oil on canvas/40″ x 30″/October 2017
Finally, here’s the painting in position as it was ‘processed’, alongside the source image.
Wednesday, October 25, 2017
Today marks the 13th anniversary of the passing of the mighty cultural ‘uncle’ that was (and remains) John Peel, whose influence lives on undimmed, indeed probably burning ever brighter in such times. In celebration, of the life, we’re listening to Captain Beefheart‘s ‘Shiny Beast (Bat Chain Puller), just one of the many artistes and fine records to whom and which Peel provided an introduction – walking in to the day job this morning accompanied by the groove of ‘Tropical Hot Dog Night’ certainly helped make me feel more kindly disposed than is habitually the case.
Another The Fall ‘Imaginary Compilation Album’ (#3) been also posted on the essential The (new) Vinyl Villain – get on over and get listening, you know it makes sense and it’s what Peel would have wanted.
Thursday, October 19, 2017
Tuesday, October 10, 2017
‘Samuel Beckett’ oil on canvas/40″ x 30″ (in progress)
Currently, I’m attempting something in paint that I’ve not done previously, in transposing a photograph – and an iconic one, at that – in oils on a large scale, in response to what we shall term a domestic commission. The challenge, to begin, has proved itself to be exactly how one might go about such an endeavour, with a few false starts thrown in, before things have started to make some sort of visual sense and progress is being made, albeit in stately fashion.
The starting point, the subject, is of course a print (A3 and squared-up to be drawn on to the canvas) of Jane Bown’s famous and rather wonderful portrait of Samuel Beckett, taken in 1976 when Beckett would have been seventy years of age, delightfully craggily expressive of features. The good thing about such an enlarging is that it allows a freedom with the application of the paint, to make of a mechanical photographic print something hand-made and painterly – whether the result in any way does justice to the original and subject will be another matter.
In an act of what might be termed ‘method painting’, I’m currently reading Beckett’s novel ‘Molloy’ and will soon be taking up ‘Malone Dies’ in order to in some way ‘inhabit’ the author/subject and the world he creates – that this experience is a pleasurable one only enhances to the experience, the creative process.
Thursday, September 21, 2017
‘Slavia Praha shirt’ pencil and watercolour/36 x 25cm
The challenge of the representation of drapery is, of course, as old as painting itself, and a recently-acquired football shirt suggested itself as being a suitable subject-object of study one afternoon last week, so out came the pencils and watercolours. Whilst the particular qualities of the contemporary somewhat shiny-surfaced sportswear fabric were perhaps the main motivating factor in getting to work in the active observation of, the allure of a jersey bearing a red star, particularly in the context of such a pleasing design, cannot be denied a certain significance too.
Pin badges representing the famous name of Slavia Praha, from the treasured collection as previously featured in forensic detail, may be found here and here (x2).